If Lloyds Bank designed handbags

I saw this handbag in the window of Longchamp in (the ‘Paris end of Collins Street’) Melbourne.
Lloyds Bank, one of the big four UK banks, uses the black horse in its logo. The bank was one of my clients in London, I designed for them for many years and now I can’t go past a black horse without appreciating the power of this animal.
I love the information that can be gained by peering below the surface of the physical logo design to expose the metaphors, archetypes, embedded symbolism and other unconscious attractors. According to symbolismandmetaphor.com: ‘Black horses symbolize the ability to overcome obstacles and come out on the other side. It is also widely known to be a symbol for death. This does not always mean death in the literal sense; in this case it means leaving behind things which no longer serve you.’
Also
‘Black horses are reliable for any difficult time, and they never fear a challenge. This makes them powerful as they will stop at almost nothing to achieve their goals.’ They are ‘often symbolized as magical creatures’,… ‘not scared to tackle their issues head on’, or ‘to seek greater things for themselves’ and they ‘may undergo many transformations in their lifetime as when something is no longer serving them, they are not afraid to let it go.’
What great attributes to own and share, via a logo design, for both a bank and a sassy high priced fashion brand!
Designers often use realistic symbols to attract clients to a particular brand, for example ING bank’s lion, Shell’s shell, Starbuck’s mermaid, the Red ‘Bull’ and the ‘Apple’. One of the greatest advantages in using recognisable symbols is that they come imprinted with a set of ready-made values, as above, which become so powerfully embedded with the brand they are legally protected, at great cost.
Mother nature/AKA Earth, unlike major brands, has no lawyers protecting the theft of these values. The original lion, horse, jaguar, clover…. have no usage rights.
Perhaps this is sad. Imagine a world where nature could be paid to protect its rights. But I digress.
Indigenous people, however, would not enter this collaboration without first connecting with, and gaining permission from, the natural source. We have become so disassociated from nature we really do not give a damn how we integrate it into branding for our singular economic gain.
I believe there is much to learn from deepening this relationship with a brand totem. By learning to liaise with and learn from the animal, plant or heavenly body, for example, we can build a future, with integrity, and strengthen the foundation of the brand.
I write and teach on more of this deeper, powerful resource that you can utilise to create your own success in my course ‘Future Magnets: Identify and create the life you want’ on Thinkific here: https://bit.ly/4enPTPQ
Starling’s Murmurs ‘The value of emotions in creating success’
In this podcast, I discuss how colour, font, words and symbols influence how we design a logo and more importantly, how infusing our logo with emotion can create success.
If Lloyds Bank designed handbags

I bought a prestigious-branded jumper a few years ago. It was in a sale; I saved myself a few hundred pounds. In retrospect, the reduced price was still extremely high compared to what I usually spend on a jumper. They usually go bobbly after a few wears, whatever the price, and it was not quite the right shade of pink that I love. But it was a famous brand so I felt good because the purchase met my aspirations to reputedly, at least, excellent design and, with a Scottish mother, I had made a good deal, it was a bargain….or was it?
The feeling was short lived. I hardly wore it, it was the wrong colour and that compromise was enough to niggle each time I wore it. The good feelings were soon replaced by irritation and self-admonishment. At the time it felt right. I felt good. I was in the mood to buy and I responded to the emotional nudges. Who was nudging?
The emotional pull is powerfuI and comes from myriad sources. Like many, I try to do my best for the Earth and have like-minded friends who aspire to, or own, an electric or hybrid car. They are expensive and at least one expert has pointed out that the carbon footprint of hybrid cars is so great it cannot be offset during its normal lifetime. My friends all had decent, functional cars to start with but ditched these, potentially adding their unrecyclable and toxic components to the growing landfill problem. I don’t know the statistics but the latter never comes into the equation once the desire to own the new version kicks in.
What actually prompts our decision to buy? We certainly do not need most of the stuff we do purchase but we are easily convinced we want it. We are prompted by brands to believe our life will improve if we buy (or get worse if we don’t), we will be seen in a better light by those around us, we get a ‘hit’ from the feel good purchase or are creating a better life/society/planet.
Are we being tempted to express our real selves or be something we are not? Sigmund Freud’s nephew, Edward Louis Bernays (1891–1995), believed most of us were incapable of making rational decisions and so he created PR to drive our desires. One of his first campaigns was aimed at getting women to smoke when it was socially unacceptable, and women felt suppressed. He consulted a psychoanalyst and rebranded cigarettes to be appealing by organising a group of women to smoke ‘torches of freedom’ publicly, and it worked [1]. He took his skills further to help win elections.
Eventually, we become so entrained that a glimpse of a logo can remind us of the promise behind the brand it identifies. Our brain cells have been shown to fire in a unique and identifiable sequence as they respond to different logo designs. Our emotions are a powerful interface between the world that is within ourselves and the one that exists outside us. How we express ourselves affects our future as does the reverse – how we react to outside expressions of intent.
The good news in this, hopefully, is when we realise how fickle our emotional response is. We can learn to be observant and more detached from the pull of someone else’s vision and begin to express and create our own using the same branding tools.
[1] Edward Louis Bernays quoted in Larry Tye, The Father of Spin: Edward L. Bernays & The Birth of Public Relations (Henry Holt and Company, LLC: New York, 1998), pp. 39–42.
[i] Edward Louis Bernays quoted in Larry Tye, The Father of Spin: Edward L. Bernays & The Birth of Public Relations (Henry Holt and Company, LLC: New York, 1998), pp. 39–42.
Starling’s Murmurs ‘The value of emotions in creating success’
In this podcast, I discuss how colour, font, words and symbols influence how we design a logo and more importantly, how infusing our logo with emotion can create success.








