Creating a future balance sheet

We live in a world where success is largely measured by financial wealth.* Commercial branding feeds and encourages our participation in this.
Logos and branding lie at the heart of business success. They employ elements: colours, symbols and language, that our ancestors used thousands of years ago to envisage and prompt the future they wanted. They are, in the main, designed to increase profit.
Aboriginal people developed a way of life rich in spirituality, art and dance but they also evolved a series of successful, varied economies, broadly based economic systems that allowed them to survive in a wide range of environments where European agriculture proved to be an abysmal failure. The achievements of early Australians are constantly underestimated by those who judge a society solely by its material possessions. (Flood 1983) And thereby lies one of the main imbalances in our current world structure.
The Australian aboriginal people lived in relative harmony with the land for around 60 thousand years. On 2 February, 1803, James Fleming, on an expedition near where Melbourne now lies, noted a ‘salt lagoon, about a mile long and half a mile wide’ just off the bay. This lagoon had provided many generations of indigenous people with a rich supply of fish. By 1850 it was well on its way to becoming a stagnant, smelly, polluted body of water, a septic sinkhole for the new settlers.
Today, I live in a house, built in the 1880s on land where the lagoon once flourished.
Colonisation took 50 years to destroy a whole way of life, rich in spiritual and healing traditions as well as the environment that nourished this for tens of thousands of years.
I want to see a new type of economy, one that is less destructive to nature and society. Maybe we can learn from our indigenous ancestors. It seems fitting that I have evolved my logo work backwards, taking clues from the art of indigenous cultures to create a different future. Logos can be designed to help encourage different futures and we can get to influence these. Brands have primarily engaged elements of power (colours, symbols and language) in their logos with a dominant intention to gain financial profit. We can also use the same elements, combine them appropriately and embed our own intention into the final design so our vision is visible and deliverable. This is how we can create change in the world. A change that is well overdue.
You can learn how to create your own logo to attract the success you deserve in the Future Magnets course on Thinkific: https://bit.ly/47ZFiaR
*John Perkins (https://johnperkins.org) refers to this a death economy
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Creating a future balance sheet

I bought a prestigious-branded jumper a few years ago. It was in a sale; I saved myself a few hundred pounds. In retrospect, the reduced price was still extremely high compared to what I usually spend on a jumper. They usually go bobbly after a few wears, whatever the price, and it was not quite the right shade of pink that I love. But it was a famous brand so I felt good because the purchase met my aspirations to reputedly, at least, excellent design and, with a Scottish mother, I had made a good deal, it was a bargain….or was it?
The feeling was short lived. I hardly wore it, it was the wrong colour and that compromise was enough to niggle each time I wore it. The good feelings were soon replaced by irritation and self-admonishment. At the time it felt right. I felt good. I was in the mood to buy and I responded to the emotional nudges. Who was nudging?
The emotional pull is powerfuI and comes from myriad sources. Like many, I try to do my best for the Earth and have like-minded friends who aspire to, or own, an electric or hybrid car. They are expensive and at least one expert has pointed out that the carbon footprint of hybrid cars is so great it cannot be offset during its normal lifetime. My friends all had decent, functional cars to start with but ditched these, potentially adding their unrecyclable and toxic components to the growing landfill problem. I don’t know the statistics but the latter never comes into the equation once the desire to own the new version kicks in.
What actually prompts our decision to buy? We certainly do not need most of the stuff we do purchase but we are easily convinced we want it. We are prompted by brands to believe our life will improve if we buy (or get worse if we don’t), we will be seen in a better light by those around us, we get a ‘hit’ from the feel good purchase or are creating a better life/society/planet.
Are we being tempted to express our real selves or be something we are not? Sigmund Freud’s nephew, Edward Louis Bernays (1891–1995), believed most of us were incapable of making rational decisions and so he created PR to drive our desires. One of his first campaigns was aimed at getting women to smoke when it was socially unacceptable, and women felt suppressed. He consulted a psychoanalyst and rebranded cigarettes to be appealing by organising a group of women to smoke ‘torches of freedom’ publicly, and it worked [1]. He took his skills further to help win elections.
Eventually, we become so entrained that a glimpse of a logo can remind us of the promise behind the brand it identifies. Our brain cells have been shown to fire in a unique and identifiable sequence as they respond to different logo designs. Our emotions are a powerful interface between the world that is within ourselves and the one that exists outside us. How we express ourselves affects our future as does the reverse – how we react to outside expressions of intent.
The good news in this, hopefully, is when we realise how fickle our emotional response is. We can learn to be observant and more detached from the pull of someone else’s vision and begin to express and create our own using the same branding tools.
[1] Edward Louis Bernays quoted in Larry Tye, The Father of Spin: Edward L. Bernays & The Birth of Public Relations (Henry Holt and Company, LLC: New York, 1998), pp. 39–42.
[i] Edward Louis Bernays quoted in Larry Tye, The Father of Spin: Edward L. Bernays & The Birth of Public Relations (Henry Holt and Company, LLC: New York, 1998), pp. 39–42.
Whose design is it anyway?
When I was asked to write about design trends for 2020, my immediate response was to delve into my many years of design experience, observe any cycles, for example in colour, typography, shapes and so on …
VW Logo, Love it or Hate it
I met a girl with a VW logo on her foot and she answered, when I questioned why, that she loved her VW. I wonder if her love faded when she learned that VW had fitted 11m cars worldwide with software …
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Lacoste and Crocodile International became locked into battle in New Zealand when they both wanted to use the crocodile to identify their brand. Their crocodiles look fairly similar but Lacoste’s …
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Sometimes making choices about the direction of our lives is not easy. Through a logo design we can clarity our intention and pave the way to the future we want …
Can logos make us rich?
We buy because the logo identifies what we want. But often the value lies in the logo and this is a tool we can all use.
Finding your purpose
When we work with the design of a logo we start to hone the purpose it will eventually represent.
How can we leave our mark on the world?
As we move through life, logos remain like footprints expressing and sharing our intentions in the moment.
Managing change
The world is full of change. Everything seems to be in transition and we don’t know who to trust. If we learn to trust ourselves and express this in a logo it can give us an anchor and help to manage the change…
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Can your clothes transfer their energy to you? Whether it is the conditions under which they are created, the materials used or the logo imprinted on them, some knowledge of these aspects might help us …
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The American character, Hector Dexter, in Nancy Mitford’s 1951 satire “The Blessing” refers to Coca-Cola thus: “When I say a bottle of Coca-Cola I mean it metaphorically speaking …